Wandering Winds

Wissam Boustany
with
Nigel Clayton - Piano
Gabriella Dall'Olio - Harp

Tracks

1 Rising from the ashes (Tarek Younis) 14 Calmo  
2 Ave Maria (Bach-Gounod) 15 Allegro  
  Chants Peruviens (arranged by Beclard d'Harcourt) 16 Tranquillo  
3 Harawi   17 Allegro  
4 Baile   18 Lullaby from Chugoko area (K. Yamada, arranged by A. Yashiro)
5 Pastorale   19 Entre'Act (Jacques Ibert)
6 Khachampa   20 Sakura Sakura (traditional song, arranged by Yashiro)
7 Ripusakme   21 El Quintapesares (Anonymous)
8 Baile   22 El Frutero (Anonymous)
9 Zas   23 El Cameleon (Anonymous)
10 Wayno   24 La Partida (C. Bonet)
11 Baile De Los Danzantes   25 Bailecito de Procesion (adapted by Gustavo Samela)
12 Pasna Pitaci   26 Camino Pelao (Anonymous)
13 In Ireland fantasy (Hamilton Harty)  
  Quatre Jeux (Boghos Gelalian)

 

A new concept of music-making

Visions of the beauty and diversity of life on earth have gripped mankind's imagination ever since the spark of thought took root in our consciousness. My music has led me to many parts of the globe and I have never ceased to be amazed by the similarity of these visions, which seem to express our collective yearning for more than what we see around us in physical life - this yearning lies at the root of inspired and productive living. This alone, is reason enough for music to be considered as more than just a luxury in our lives.

In spite of this, I felt a growing disenchantment with the atmosphere and energies I encountered in so many of the concerts I attended and indeed gave - I wanted more ... I wanted my music to be a catalyst for leaving something behind everywhere I played. This is how Towards Humanity was conceived, growing out of the anger and desperation of seeing the worst aspects of mankind triumphing time and time again, expressed through an endless cycle of wars, alienating us from our own lives and friendships. I launched a series of initiatives using my music to bring people together through their cultures and traditions, while using these inspired gatherings to raise funds for humanitarian charities in traumatised and war-torn countries, bringing hope and opportunity into the lives of many people and their important projects. This work has led me to the discovery of deeper dimensions within myself and others, lying under the surface and waiting to be released by the powerful medium of music.

Sit back and take a journey riding on the winds of humanity and delight in the diversity of life on earth. Towards Humanity will donate approximately £1 out of the sale of each CD released to charities doing important humanitarian work (see below) in areas that need our moral and financial support.

About the music

I commissioned Rising from the Ashes after meeting the young Jordanian composer, Tarek Younis, whilst I was touring in the Middle-East. The piece is heavily influenced by Arabic rhythms, modes (maqaamaat) and improvisations (mawaal), as well as traditional western idioms and is inspired by the myth of the PHOENIX, a legendary bird with supernatural powers. Sacred in ancient Egypt, the Phoenix, which was always male and had a beautiful red and gold plumage, was fabled to live 500 years or longer. At the end of that time it built a nest from twigs of spice trees, to which it set fire. Both the bird and its nest were consumed in flames. Out of the ashes a worm emerged, from which the new Phoenix grew. This theme of resurrection figures strongly in many religions and carries with it a strong message of 'hope beyond despair', 'life after death' or 'peace after war'. May we all be inspired by this message, in order to help build a saner and more peaceful world.

I have always been deeply moved by Ave Maria, a piece which grew out of a masterpiece by J.S. Bach, the Prelude in C. One century later another composer, Gounod, added the melody. The result is a fusion of genius across centuries and countries - countries which have fought each other ferociously at various times in European history. The symbolism for humanity incapsulated in this moving tune is significant.

Beclard d'Harcourt must have had a fascinating time travelling in Peru during a time when travelling and tourism had not yet become so popular there. This collection of folk tunes, titled Chants Peruviens, is charming in its expressive scope, honesty and integrity. The people of South America have had a painful history that seems to have eradicated all but their strong sense of identity and this is felt very strongly in their music. Almost everyone there plays an instrument of some sort, even if they live in total poverty - something that cannot be said about some other cultures.

In Ireland Fantasy was written by Hamilton Harty, who used to conduct the Hallé Orchestra. The piece starts with an expansive, nostalgic introduction eventually giving way to two dances, the first of which seems slightly militaristic but which soon gives way to more traditional folkloric rhythms and harmonies. The exuberance of the Irish spirit is in evidence throughout, ending in a flamboyant climax.

Lebanon was indeed a sad and broken place in the late 70s. Boghos Gelalian, one of Lebanon's most prominent composers, lived in a part of Beirut that was under constant bombardment for many years. In spite of this he managed to write Quatre Jeux for me in 1979 and I have played it in several countries ever since. This piece takes the form of a simple motive that gets repeated in many different ways across four movements. Many Arabic moods and scales feature as part of the expressive language of this piece.

We decided we could not leave out this exquisite Lullaby from the Chugoku Area, a piece that I confess to knowing very little about - that doesn't stop me loving it!

Jacque Ibert was a Frenchman and one of this century's leading composers, but there is nothing French about Entre'Acte. This piece is completely inspired by Spain, depicting the rhythmic and melodic flair of Flamenco. The fact that people can identify with (and indeed thrive in) other countries' traditions and cultures is a source of great encouragement and hope to mankind. We need not feel trapped by our heritage - on the contrary: we can take joy from experiencing the diversity that exists between civilisations, thus appreciating our own heritage even more.

Sakura Sakura (Cherry Blossom) is well known around the world. The cherry blossom possesses a unique and peculiar magic in the way it so fleetingly erupts into blossom every year, before returning to its stark and bare look. This intense and fleeting beauty is expressed beautifully here and is all the more haunting in its curiously timeless setting - there is once again a real sense of stillness and acceptance.

The second collection of South American Dances I have chosen all come from 2 books published by Trevor Wye. These are a set of extremely lively dances, perhaps coming from the larger cities of Venezuela. These are less "ethnic" than the folk-based Peruvian tunes, but are full of exciting rhythms and tunes of this part of the world.

Wissam Boustany